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Repentance and Social Welfare in Renaissance Florence

Detail of the predella with painted scenes of the story of St. Magdalene. By Botticelli c. 1484-91. Now in the Philadelphia Art Museum. Source: Wikipedia

Where did you go if you were a prostitute in Late Medieval Florence? The obvious place was the convent, Sant’Elisabetta delle Convertite, dedicated to enrole you in a life of penitence.

Prostitution, Repentance and Social Welfare in Renaissance Florence: The Monastery of Sant’Elisabetta delle Convertite
By Gillian Jack
University of London Press 2026

ABSTRACT:

From the fourteenth century, Florentine women seeking to leave prostitution could enter Sant’Elisabetta delle Convertite, a monastery dedicated to repentance. Its long life – more than 500 years – made it a meeting point for religious ideals, municipal government and the precarious circumstances of women with limited economic options. The institution cannot be understood simply as a place of private redemption: it also formed part of the city’s response to poverty, sexuality and civic order. Witness the splendid Renaissance art, which was donated to the convent intended to inspire the inmates to  lifelong repentance by recounting the life history of St. Mary Magdalene

In this new book, Gillian Jack reconstructs the monastery’s changing relationship with Florentine authorities over several centuries. Financial support, public intervention and efforts to regulate prostitution repeatedly altered the institution’s position. Her account places the women who lived there within larger transformations in charitable practice and urban welfare, without reducing them to illustrations of policy. It is only by uncovering successive governments’ involvement in Sant’Elisabetta that we can fully understand how the city attempted to manage both prostitution and welfare.

This is a study at the boundary between medieval and Renaissance history. It offers a way of following continuities that conventional period labels conceal, especially in the complex relationship between penitential religion, social discipline and the lived experiences of women on the margins of urban society.

ABOUT THE AUTHOR:

Gillian Jack is associate lecturer in history at the Open University, where she teaches history from Greek myth to the 1970s.

FEATURED PHOTO:

Detail of the predella with painted scenes of the story of St. Magdalene. By Botticelli c. 1484-91. Now in the Philadelphia Art Museum. Source: Wikipedia

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