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This 15th-century illumination from the Mare Historiarum (MS Latin 4915, folio 1) at the Bibliothèque nationale de France depicts the chancellor Guillaume Jouvenel des Ursins visiting a scribe and illuminator in his workshop. Painted between 1447 and 1455 by the Master of Jouvenel, it offers a rare window into medieval book production. Source; © BnF/Wikipedia

Reading Medieval Paris: Fourteen Books on the City, Its Inhabitants and Its Urban Landscap

Medieval Paris was not simply a royal capital, a university town or a city of magnificent churches. It was also a crowded and constantly changing urban landscape, shaped by the Seine, its bridges and islands, the expansion of markets and neighbourhoods, and the competing interests of kings, bishops, monasteries, merchants and ordinary householders.

Between the twelfth and fifteenth centuries, Paris’ population grew dramatically reaching 200.000. Following this, its boundaries were repeatedly redefined, and its streets became home to an extraordinary variety of professions and communities. The following selection brings together fourteen works approaching this history from different perspectives. Some explore the emergence of Paris as Europe’s greatest medieval metropolis, while others concentrate on its architecture, artistic production, aristocratic residences and bourgeois society. Together, they offer an opportunity to reconstruct not merely the appearance of medieval Paris but also the lives of the people who inhabited, worked in and transformed its urban spaces.

Guide Books

Cover Paris Au Moen AgeParis au Moyen Âge
Sophie Brouquet (Sophie Cassagnes-Brouquet). Éditions Ouest-France, 2024. ISBN 9782737390364.

The familiar monuments of medieval Paris represent only fragments of a city whose history extends from the early Frankish kingdoms to the closing centuries of the Middle Ages. In this illustrated introduction, Sophie Brouquet surveys approximately a millennium of Parisian history, beginning with the city associated with Clovis and following its development into the political and cultural centre of the French monarchy. Rather than concentrating on a single institution or neighbourhood, she offers a broad chronological framework within which the city’s changing architecture, population and social life can be understood. Consequently, the reader encounters Paris as a succession of overlapping urban landscapes, in which ancient structures, early medieval religious foundations and later royal building projects contributed to the formation of the capital.

The book is particularly suitable for readers seeking an accessible introduction to the historical development of the city before approaching more specialised archaeological and topographical studies. At 128 pages, however, it is necessarily selective and cannot offer the documentary detail found in the works of Oberste, Roux or Hayot. Its principal value therefore lies in providing a compact historical orientation, connecting the surviving remains of medieval Paris with the successive transformations that produced them.

Cover Paris MedievaleParis médiéval
Janine Casevecchie, with photographs by Jacques Lebar. Éditions du Chêne, Paris Balades, 2016.

Much of medieval Paris has disappeared beneath later streets, buildings and urban improvements, yet fragments of its earlier history remain scattered throughout the modern capital. In this illustrated guide, Janine Casevecchie invites readers to rediscover these surviving traces, moving between major monuments and less conspicuous buildings that preserve something of the city’s medieval appearance.

Alongside the familiar splendour of the Sainte-Chapelle and Notre-Dame, the book draws attention to places such as the Tour Jean-sans-Peur, the church of Saint-Julien-le-Pauvre, the cloister of the Billettes and the surviving medieval fabric of Saint-Germain-des-Prés. Through the combination of historical commentary and photography by Jacques Lebar, the reader is encouraged to recognise the medieval city within the modern streetscape.

Indeed, the book’s particular attraction lies in this encounter between past and present, since the surviving buildings can often be difficult to interpret without an understanding of their original surroundings. Although intended primarily as an accessible guide rather than an academic study, it nevertheless offers a useful introduction to the material remains of medieval Paris. Furthermore, its emphasis on buildings that can still be visited makes it especially valuable for planning an itinerary through the historic city and connecting documentary research with places that remain visible today.

The City and Its Inhabitants

Cover Bourgouis de parisLe Bourgeois de Paris au Moyen Âge
Jean Favier. Tallandier, Texto, 2015. ISBN 9791021008472.

Paris became the largest city in medieval Europe not merely through the patronage of its kings but also through the activities of its merchants, officials, craftsmen, financiers and prosperous householders. In this wide-ranging history, Jean Favier places these inhabitants at the centre of the city’s development, tracing the emergence of a bourgeois society whose members increasingly shaped its economic, political and institutional life. Rather than treating the bourgeoisie as a narrowly defined social class, Favier explores the remarkably varied occupations and networks through which individual Parisians acquired wealth, standing and influence. Consequently, his account moves between commercial enterprise, property ownership, royal administration, ecclesiastical institutions and the legal professions, revealing how closely these different worlds were connected.

Of particular interest is the relationship between private fortunes and public authority, since the expansion of the monarchy created opportunities for men whose expertise and financial resources were indispensable to government. At the same time,

Favier pays considerable attention to the texture of urban life, incorporating anecdotes and personal histories that give substance to otherwise abstract social categories. The result is a substantial portrait of the people who occupied the city’s houses, conducted business in its streets and helped establish Paris as a centre of European commerce and administration.

Cover Birth of the metropolisThe Birth of the Metropolis: Urban Spaces and Social Life in Medieval Paris
Jörg Oberste. Brill Studies in Architectural and Urban History, vol. 1. Brill, 2021.

Between 1150 and 1350, Paris underwent one of the most remarkable episodes of urban growth in medieval Europe, developing from a comparatively modest episcopal city into a metropolis of perhaps a quarter of a million inhabitants. Jörg Oberste investigates how this transformation occurred, arguing that the management and appropriation of urban space were central to the process. Rather than describing the expansion of Paris simply as a consequence of royal government or demographic growth, he examines the interactions between landowners, religious institutions, settlers and emerging urban communities.

Particular attention is devoted to the neighbourhood surrounding Saint-Martin-des-Champs, where the priory’s property records make it possible to reconstruct the formation of streets, plots, houses and commercial spaces. Through this detailed case study, Oberste shows how decisions concerning rents, jurisdiction, construction and access to land contributed to the gradual development of an increasingly complex city. Furthermore, he explores the roles of markets, churches, centres of learning and suburban settlements in creating the distinctive geography of medieval Paris.

The result is a study of urbanisation as a social process in which everyday negotiations over property and authority helped determine the physical appearance of the metropolis. For readers interested in medieval topography and the relationship between institutions and neighbourhoods, this is one of the most directly relevant books in the selection.

VER Paris the powers that shaped the cityParis: The Powers that Shaped the Medieval City
Edited by Alexandra Gajewski and John McNeill. British Archaeological Association Conference Transactions. Routledge, 2023.

The transformation of medieval Paris was shaped by a succession of powerful institutions, each leaving its imprint on the city’s buildings, streets and sacred spaces. Bringing together ten specialist studies, this collection examines how royal, monastic and secular patrons contributed to the architectural and artistic development of the capital between approximately 1100 and 1500. Although major monuments such as Notre-Dame, Saint-Denis and the Sainte-Chapelle occupy an important place, the volume also moves beyond the familiar landmarks to investigate the less conspicuous structures and communities that sustained urban life. Particularly revealing is Jana Gajdošová’s study of the buildings constructed on Parisian bridges, where commercial activities and everyday habitation occupied spaces that simultaneously served as essential routes through the city. Terryl Kinder’s investigation of Cistercian property in Paris likewise demonstrates how a religious order associated primarily with rural monasteries participated in the urban property market. Meanwhile, William Chester Jordan explores the disciplinary and sensory dimensions of royal authority in thirteenth-century Paris, while other contributions examine the connections between liturgy, architecture, manuscript production and images of the city. Together, these studies reveal a landscape in which political ambition, religious devotion and economic interests continually intersected. Consequently, the book offers much more than a survey of medieval Parisian architecture: it demonstrates how urban space became an expression of competing forms of power.

vParis in the Middle Ages
Simone Roux. Translated by Jo Ann McNamara. University of Pennsylvania Press, 2009.

What did it mean to live in medieval Paris, and how did its inhabitants experience a city whose population, institutions and physical surroundings were continually changing? Simone Roux approaches these questions through a social history of Paris during the thirteenth, fourteenth and fifteenth centuries, concentrating particularly on the people whose daily activities animated its streets and neighbourhoods. Beginning with the development of urban space, she examines the changing boundaries of the city, the character of its streets and the coexistence of religious, political and commercial activities. From there, the narrative moves into the social hierarchies of Parisian society, distinguishing between wealthy financiers, merchants, craftsmen, servants and the urban poor, while also considering the place of royal officials and ecclesiastical communities. Yet the most revealing chapters concern the organisation of everyday life. Houses emerge not simply as private residences but as workshops, shops and places of employment, while families, confraternities and professional associations provide networks of support in an often precarious urban environment. Drawing on judicial, administrative and other documentary sources, Roux reconstructs the habits, conflicts and relationships of ordinary Parisians, including aspects of life that rarely appear in conventional political histories. Her account is particularly valuable because it connects the city’s physical environment with the social practices through which its inhabitants occupied and understood it.

Cover knights lords and ladiesKnights, Lords, and Ladies: In Search of Aristocrats in the Paris Region, 1180–1220
John Wesley Baldwin. With a foreword by William Chester Jordan. The Middle Ages Series. University of Pennsylvania Press, 2019.

The emergence of Paris as the centre of the Capetian monarchy cannot be understood without considering the aristocratic families who controlled the surrounding countryside. In this posthumously published study, John W. Baldwin reconstructs the lives of knights, lords and noblewomen inhabiting the Paris region during the reign of Philip Augustus. Working from charters, inventories of fiefs, seals, literary texts and archaeological evidence, Baldwin identifies seventy-five individuals belonging to thirty-three aristocratic families and examines their relationships with land, lordship, royal authority and religious institutions. His approach is deliberately personal, allowing the reader to follow individual families through their marriages, inheritances, military obligations and religious benefactions. At the same time, the book investigates the material circumstances of aristocratic life, including castles and residences, household arrangements, horses, armour and the equipment associated with warfare. Consequently, it places the consolidation of royal power within the broader transformation of aristocratic society, as powerful local families increasingly became integrated into the structures of Capetian government. Although the focus lies primarily on the Île-de-France rather than the city itself, the book is nevertheless essential for understanding the landscape surrounding medieval Paris. It also demonstrates that the growth of the capital depended on political and economic relationships extending far beyond its walls.

Cover ville de courParis, ville de cour (XIIIe–XVIIIe siècle)
Edited by Boris Bove, Murielle Gaude-Ferragu and Cédric Michon. Presses universitaires de Rennes, 2017.

Although Paris became the capital of the French monarchy during the Middle Ages, the relationship between the city and the royal court was neither simple nor constant. Kings travelled, royal households moved between residences, and the political importance of Paris did not always depend on the physical presence of the sovereign. This collection of essays, edited by Boris Bove, Murielle Gaude-Ferragu and Cédric Michon, investigates how the court nevertheless shaped the city’s economic, social and cultural life between the thirteenth and eighteenth centuries. Instead of treating royal residence merely as a matter of palace architecture, the contributors examine the wider consequences of courtly consumption, patronage and administration. The presence of princes, courtiers and royal officials generated demand for housing, food, luxury goods and specialised services, while their investments in urban property and religious institutions altered the city’s social geography. Furthermore, the volume considers the relationship between courtly and urban cultures, including theatrical performances, public ceremonies, literary representations and artistic commissions. Particularly relevant to medieval Paris are the contributions on the residences and burial places of courtiers, the patronage of the royal entourage and the representation of Paris in fifteenth-century literature. The resulting picture is one of a city profoundly influenced by the monarchy, even when its rulers were physically absent.

Architecture, Urban Space and the Making of Medieval Paris

Cover Parcelles des histoiiresParcelles d’histoire. Paris au Moyen Âge
Hélène Noizet. Presses universitaires de Vincennes, 2026. 348 pages. ISBN 9782379246012.

How much of medieval Paris survives beneath the nineteenth-century boulevards and the familiar façades of the modern capital? According to Hélène Noizet, considerably more than might be imagined. In this innovative study of Parisian urban morphology, she explores how the activities of medieval inhabitants shaped a network of streets, property boundaries and neighbourhoods whose underlying structures have survived for centuries. Combining archaeological evidence, written documents, historical maps and digital spatial analysis, Noizet traces the development of the city between the ninth and fourteenth centuries, demonstrating how religious institutions, landowners and ordinary householders contributed to its gradual transformation. Of particular interest is her examination of the contrasting effects of secular and regular ecclesiastical communities on the surrounding urban fabric, as well as her reconstruction of medieval property divisions and planned developments around the Halles. Furthermore, she investigates the historical street network, revealing how particular routes and intersections emerged as enduring elements of the city’s geography. Finally, by mapping the itinerary described in Guillot de Paris’s Dit des rues de Paris, composed around 1300, she introduces a more subjective dimension to the study of urban space, connecting the physical city with the ways in which its inhabitants experienced and imagined it. Consequently, the book offers an unusually rich account of medieval Paris as an evolving landscape, demonstrating how social practices, property relations and everyday movement helped shape the city whose outlines remain recognisable today.

 

The Disputed City: Art, Architecture, and the Performance of Argument in Scholastic Paris (c. 1120–c. 1320)
Martin Schwarz. PhD dissertation, University of Chicago, 2020.

During the twelfth and thirteenth centuries, Paris emerged as the intellectual capital of medieval Europe, attracting scholars whose arguments about theology, philosophy and the nature of knowledge transformed European intellectual life. Yet these debates did not take place in an abstract world of texts and ideas. Instead, as Martin Schwarz argues, scholasticism developed within a particular urban environment, whose buildings, institutions and visual culture played an active role in shaping intellectual exchange. His dissertation therefore explores the relationship between scholarly argument and the physical spaces in which such arguments were formulated and performed. By examining individual sites and communities, Schwarz places the schools of Paris within a changing architectural and urban landscape, revealing how the pursuit of knowledge depended on the interaction between people, buildings and institutions. Furthermore, the investigation challenges the conventional separation between intellectual history and the history of material culture, suggesting that scholastic practices cannot be adequately understood without considering their spatial setting.

Of particular relevance is the period during which the schools associated with the cathedral and other religious institutions gradually developed into the University of Paris. Consequently, this study offers a distinctive perspective on the emergence of the Latin Quarter and the relationship between the expanding city and its intellectual communities. The dissertation is available through the University of Chicago’s institutional repository.

Cover peindre de ParisPeindre à Paris aux XVe–XVIe siècles
Edited by Frédéric Elsig. Peindre en France à la Renaissance, vol. 12. Silvana Editoriale, 2024.

Although Paris is celebrated for its Gothic architecture and medieval manuscript illumination, its history as a centre of painting during the fifteenth and sixteenth centuries is considerably less familiar. This substantial collective volume, edited by Frédéric Elsig, seeks to reconstruct the artistic production of the French capital during a period of profound cultural transformation. Drawing on the methods of connoisseurship, technical investigation and art-historical analysis, the contributors examine the artists, workshops and artistic traditions that operated in Paris between the late Middle Ages and the Renaissance.

Among the figures discussed are the Master of the Très Petites Heures of Anne of Brittany, Gauthier de Campes, Noël Bellemare, Jean Cousin and Antoine Caron. Furthermore, the volume extends beyond panel painting to consider manuscript illumination and stained glass, thereby approaching painting as a profession practised across several different media. Contributions on Parisian church paintings, Flemish artistic influences and the production of stained glass are particularly revealing, since they illuminate the networks connecting artists, religious patrons and individual commissions.

Although the book is not primarily concerned with urban topography, it nevertheless contributes to the reconstruction of Paris as a centre of skilled craftsmanship and artistic exchange. Thus, it offers an important complement to studies of the city’s scribes, illuminators and commercial workshops.

Cover paris GothiqueParis gothique
Edited by Dany Sandron, with contributions by Denis Hayot and Philippe Plagnieux and the collaboration of Grégory Chaumet. Éditions Picard, 2020.

Few European cities played so decisive a role in the development of Gothic architecture as medieval Paris. Nevertheless, the surviving monuments offer only a partial impression of the architectural wealth that once characterised the capital, where churches, chapels, residences, fortifications and public buildings formed a remarkably varied urban landscape. In Paris gothique, Dany Sandron, Denis Hayot and Philippe Plagnieux bring together thirty-six studies of the principal Gothic monuments of Paris, incorporating the results of recent architectural and historical research.

While Notre-Dame and the Sainte-Chapelle naturally occupy important places, the volume also examines less familiar buildings, including Saint-Germain-l’Auxerrois, Saint-Eustache, the Hôtel de Cluny and the medieval house of Ourscamp. Furthermore, the authors consider the city’s military architecture, notably the fortifications constructed under Philip Augustus and Charles V, thereby extending their investigation beyond ecclesiastical monuments.

The result is an architectural portrait of medieval Paris in which buildings are understood as parts of a changing urban environment rather than as isolated masterpieces. Particularly valuable is the attention given to structures that have been substantially altered or destroyed, since these help restore the density and variety of the medieval city. For anyone attempting to reconstruct the appearance of Paris before the early modern and nineteenth-century transformations, the volume provides an indispensable architectural reference.

Cover paris fortifierParis en 1200: Histoire et archéologie d’une capitale fortifiée par Philippe Auguste
Denis Hayot. CNRS Éditions, L’Esprit des lieux, 2018. ISBN 9782271121448.

Around the year 1200, Paris was undergoing a transformation that would establish the foundations of its future development as the capital of France. Under Philip Augustus, the construction of a new circuit of defensive walls, together with the fortress of the Louvre and improvements to the city’s infrastructure, fundamentally altered its appearance and organisation. In this richly illustrated study, Denis Hayot examines the architectural programme through which the king sought both to protect Paris and to reinforce the authority of the Capetian monarchy.

Drawing on archaeological investigations, surviving masonry, historical documents and earlier representations of the city, Hayot reconstructs the fortifications and places them within the wider development of the urban landscape. Particular attention is devoted to the relationship between the walls and the spaces they enclosed, since the new enceinte did more than establish a military boundary: it also influenced patterns of construction, movement and settlement.

Meanwhile, the simultaneous development of Notre-Dame, the Halles, paved streets and the royal palace reveals the extent to which Paris was being reshaped around the turn of the thirteenth century. The study is complemented by architectural reconstructions and illustrations by Jean-Claude Golvin, which help visualise structures that have largely disappeared. Consequently, this book is of particular importance for understanding how royal ambition, urban planning and military architecture combined to create the medieval capital.

Representations, Courtly Life and the Surviving City

L’image de Paris et de l’Île-de-France au Moyen Âge (fin XIIe–début XVIe siècle)
Judith Guéret-Laferté Förstel. PhD dissertation, Université Paris 1 Panthéon-Sorbonne, 2017.

Paris was not only a place of residence, commerce and government but also a city whose significance was continually constructed through descriptions, images and representations. In this doctoral dissertation, Judith Guéret-Laferté Förstel investigates the image of Paris and the surrounding Île-de-France between the late twelfth and early sixteenth centuries. The study’s geographical and chronological scope provides an opportunity to examine the relationship between the capital and the region in which it developed, rather than treating the urban centre as an isolated phenomenon. Equally important is the distinction between the physical city and the ways in which contemporaries chose to represent it, whether through geographical description, historical narrative or other forms of testimony. Such representations inevitably involved selection, emphasising particular places, institutions or characteristics according to the purposes of their authors.

Consequently, the dissertation is potentially important for investigating how Paris acquired its reputation as a royal, religious and intellectual capital and how that reputation related to the actual urban landscape. It should be approached as a study of historical representations rather than as a straightforward architectural guide. The dissertation is available through the French HAL thesis repository, although its complete argument and detailed findings require consultation of the full text.

 

SOURCES

Cover desciption de ville des parisDescription de la ville de Paris, 1434: Medieval French Text with English Translation
Guillebert de Mets. Edited and translated by Evelyn Mullally. Textes vernaculaires du Moyen Âge, vol. 14. Brepols, 2015. ISBN 9782503554969.

Among the surviving descriptions of medieval Paris, few sources are as revealing as the account composed by Guillebert de Mets in 1434. Originally from Geraardsbergen in Flanders, Guillebert had spent time in Paris as a young man and subsequently became a professional copyist and an important figure in the civic life of his native town. His description combines material drawn from earlier chronicles with personal recollections of the city, particularly as he had known it around 1407, before the political and military crises that transformed Paris during the following decades. The first part presents the history and legendary origins of the French monarchy, while the second turns to the physical appearance of the capital. Here, Guillebert describes the Île de la Cité, the royal palace, the bridges, the university quarter, the streets of the Right Bank, and the city’s walls and gates.

Particularly fascinating are his observations concerning prominent inhabitants and their residences, including wealthy bourgeois whose houses reflected the importance of property and social standing within the medieval city. Moreover, his descriptions of scribes, scholars and other notable figures provide glimpses of the intellectual and professional communities that made Paris distinctive.

Evelyn Mullally’s edition supplies the medieval French text, an English translation, extensive commentary and an introduction to Guillebert’s sources and background. Consequently, the volume is not merely a useful historical account but a primary source through which aspects of the urban landscape of early fifteenth-century Paris can be reconstructed.

FEATURED PHOTO:

This 15th-century illumination from the Mare Historiarum (MS Latin 4915, folio 1) at the Bibliothèque nationale de France depicts the chancellor Guillaume Jouvenel des Ursins visiting a scribe and illuminator in his workshop. Painted between 1447 and 1455 by the Master of Jouvenel, it offers a rare window into medieval book production. Source; © BnF/Wikipedia

Detail of the predella with painted scenes of the story of St. Magdalene. By Botticelli c. 1484-91. Now in the Philadelphia Art Museum. Source: Wikipedia

Repentance and Social Welfare in Renaissance Florence

Where did you go if you were a prostitute in Late Medieval Florence? The obvious place was the convent, Sant’Elisabetta delle Convertite, dedicated to enrole you in a life of penitence.

Prostitution, Repentance and Social Welfare in Renaissance Florence: The Monastery of Sant’Elisabetta delle Convertite
By Gillian Jack
University of London Press 2026

ABSTRACT:

Cover prostitution repentence and social welfareFrom the fourteenth century, Florentine women seeking to leave prostitution could enter Sant’Elisabetta delle Convertite, a monastery dedicated to repentance. Its long life – more than 500 years – made it a meeting point for religious ideals, municipal government and the precarious circumstances of women with limited economic options. The institution cannot be understood simply as a place of private redemption: it also formed part of the city’s response to poverty, sexuality and civic order. Witness the splendid Renaissance art, which was donated to the convent intended to inspire the inmates to  lifelong repentance by recounting the life history of St. Mary Magdalene

In this new book, Gillian Jack reconstructs the monastery’s changing relationship with Florentine authorities over several centuries. Financial support, public intervention and efforts to regulate prostitution repeatedly altered the institution’s position. Her account places the women who lived there within larger transformations in charitable practice and urban welfare, without reducing them to illustrations of policy. It is only by uncovering successive governments’ involvement in Sant’Elisabetta that we can fully understand how the city attempted to manage both prostitution and welfare.

This is a study at the boundary between medieval and Renaissance history. It offers a way of following continuities that conventional period labels conceal, especially in the complex relationship between penitential religion, social discipline and the lived experiences of women on the margins of urban society.

ABOUT THE AUTHOR:

Gillian Jack is associate lecturer in history at the Open University, where she teaches history from Greek myth to the 1970s.

FEATURED PHOTO:

Detail of the predella with painted scenes of the story of St. Magdalene. By Botticelli c. 1484-91. Now in the Philadelphia Art Museum. Source: Wikipedia

Thomas Becket leaving the meeting at Montmirail 1169. From The Becket Leaves c. 1220 BL Loan MS 88. Source Wikipedia

Transregnal Kingship? Or Regal Kings?

How did medieval rulership over multiple kingdoms and lordships work out? A new book explores the political, but also the practical, challenges of rulership in the fluid territorial reality of the 13th century, while floating a new concept: “transregnal”. What might this mean?

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Grave stele of the illustrious vizier at Denia exhibition in the Archaeological Museum of Alicante. Alicante, Spain

The Maritime Kingdom of Denia

The Medieval Mediterranean was a contested site crisscrossed by fleets and armies operating in a Maritime world. New book explores the Identities, iolence, and networks in the Mediterranean using both Latin and Arabic primary sources while focusing on the Taifa of Denia in Spain.

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Cover photo art embr

Medieval European Embroidery

In 2020, Musée de Cluny organised an exhibition on “The Art of Embroidery in the Middle Ages” (L’art en broderie au Moyen Âge). In connection with the exhibition, a catalogue was published. Now, six years later, the proceeding for the scientific conference in January 2020 have been published.

Regards sur la Broderie en Occident au Moyen Âge. Production, création et usages, XIIe–XVIe siècle
Eds. Philippe Lorentz, Astrid Castres, Rose-Marie Ferré
Brepols, july 2026

COVER Regards sur la Broderie en Occident au Moyen ÂgeNew book brings together the proceedings of two study days held at the Institut National d’Histoire de l’Art (INHA), Paris, in January 2020, alongside the Musée de Cluny exhibition “L’art en broderie au Moyen Âge”. The conference sought to foster dialogue among specialists from Germany, England, Spain, France, Switzerland, and the United States in order to assess current research perspectives on medieval embroidery—an art form that remains comparatively little studied in France despite its prominent place within the rich visual culture of the later Middle Ages.

The essays collected here offer fresh insights into the history of both liturgical and secular embroidery in Western Europe between the twelfth and sixteenth centuries. They are organised around three principal themes. The first examines the contexts of production, focusing on three distinct settings: the English royal court, Catalan workshops, and the workshops of Paris. The second explores the dialogue between embroidery and other artistic media during this period, particularly when embroidery functioned as ‘painting with the needle’ or when its sculptural relief rivalled that of sculpture and goldsmiths’ work. Finally, the contributions in the third section present new perspectives on the use of embroidered images and their role within medieval ritual.

More broadly, the volume invites readers to appreciate the richness of this textile heritage, now preserved in museums, church treasuries, and private collections. The book is illustrated with more than one hundred colour plates.

CONTENTS

Medieval Embroidery in France: The Current State of Research — Astrid Castres and Philippe Lorentz

Part I. Contexts of Production

  • Secular Embroidery for the English Court, 1300–1461 — Lisa Monnas
  • A Corpus of Embroidery in Catalonia during the Fourteenth and Fifteenth Centuries — Guadaira Macías and Cèsar Favà
  • Embroidery “of the Work of Paris” at the End of the Middle Ages — Astrid Castres
  • The Embroidered Mitre from the Sainte-Chapelle in the Musée de Cluny: A Fresh Perspective — Isabelle Bédat

Part II. Embroidery: Painting with the Needle

  • Embroidered Altar Frontals and Other Liturgical Hangings in Catalonia and Valencia during the Fourteenth and Fifteenth Centuries: Imports and Local Production — Rafael Cornudella
  • The Embroidered Altarpiece of Pedro de Montoya, Bishop of Osma, in the Art Institute of Chicago — Martha Wolff
  • “A Great Banner Beaten with Fine Gold”: Techniques, Practices, and Uses of Gilding on Textiles in the Late Middle Ages — Nadège Gauffre Fayolle
  • A Recently Acquired Orphrey in the Musée de Cluny: New Questions concerning the Opus Florentinum — Christine Descatoire

Part III. Images, Rituals, and Uses

  • Vision and Embroidery: The Crown of Hildegard of Bingen and its Medallions — Philippe Cordez and Eveline Wetter
  • Purity, Adornment, and Performance: Embroidery on Altar Linens and their Cases (1250–1550) — Julie Glodt
  • A Rediscovered Masterpiece of the Thirteenth Century: The Embroidered Chasuble of Guillaume de Joinville, Archbishop of Reims
  • (Palais du Tau, Treasury of Reims Cathedral) — Maxence Hermant

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Detail. Maen Achwyfan. Source: Wikipedia/Andrew

Viking Connections:

The Viking Age was a vibrant and complex period of movement and change, not easily grasped inside a set of fixed notions and ideas. A new book presents 32 papers presented at the Nineteenth Viking Congress in 2022

Viking Connections. Proceedings of the Nineteenth Viking Congress
By Clare Downham, Fiona Edmonds, Nancy Edwards and David Griffiths
Liverpool University Press, 2026
ISBN:9781805967422 (Hardback),
eISBN:9781805967439 (PDF)
eISBN:9781805967477 (ePub)

ABSTRACT.

Cover Viking Congress 19thViking Connections is an edited collection representing the most recent scholarship in the interdisciplinary study of the Viking Age. The 32 papers arise from the Nineteenth Viking Congress which took place in Wales and North-West England in July 2022. They focus on new research from across the Viking World encompassing Archaeology, History, Literature, Language, Place-names, Numismatics, and the History of Art. Themes include Irish Sea connections as well wider connections across the Viking World. There is also a Congress diary.

The title Viking Connections expresses the importance of international networks and long-distance patterns of contact, which underlie both the Viking Age itself and our contemporary community of interdisciplinary scholarship. Contributors include senior academics, early career researchers, and museum and heritage professionals.

The picture that emerges from this volume is of the Viking Age as a vibrant and complex period of movement and change. Highlights include James Graham-Campbell’s survey of the metallic wealth of the Isle of Man, Mark Redknap’s comprehensive account of Viking Age finds in Wales, Orri Vésteinsson’s investigation of the effects that the introduction of large amounts of silver had on Viking Age society, Elizabeth Pierce’s study that tracks the tenth- to twelfth-century Scandinavian presence in eastern Scotland whose evidence suggests substantial trading activity, Søren Sindbæk’s demonstration of how radiocarbon calibration curves, when applied to the fine-meshed stratigraphy of Ribe, suggest a new chronological framework for the beginning of the Viking Age, and Christian Cooijmans’ exploration of the idea of viking camps as not just military barracks, but sites where all aspects of everyday life went on, and which formed the basis of the whole viking phenomenon.

TABLE OF CONTENTS

  1. Paton’s foreword, Introduction and Congress Diary, Council, attendance and contributor lists, and Obituaries
  2. Máire Ní Mhaonaigh Kin, Allies, Frenemies: the Fragmentary Annals of Ireland and cross-cultural exchange
  3. Ben Guy Poetry and Taxes: Welsh responses to Viking attacks in the late tenth century
  4. John Hines Exploitation of the unfree: the impact of the Viking Age on Welsh society and economy
  5. Mark Redknap Vikings, Places, Silver and Contexts: a Welsh perspective
  6. Ryan Foster† Scandinavians in Cumberland: elite takeover, mass migration, or something else?
  7. Steve Dickinson The Viking Age shieling: craft, cues and contexts
  8. Caroline Paterson The Contribution of Recent Excavations of Furnished Burials to our Understanding of the Scandinavian Settlement of Cumbria
  9. Danica Ramsey-Brimberg Grave Circumstances: revisiting the influence of location on Viking Age burials in the Irish Sea area
  10. Erin McGuire Migrant Identities, Mortuary Citations, and New Ancestors in Western Scandinavian Scotland
  11. Dirk H. Steinforth Pagan Images for a Christian Message: tracing bi-cultural Viking-Age iconography in the Irish Sea region
  12. Maeve Sikora A Hoard of Vessels from Derreen, Co. Clare: its Irish and Scandinavian context
  13. Raghnall Ó Floinn† Late and Early Post Viking-Age Insular Ringed Pins (c. 900 – c. 1125): a reassessment
  14. Griffin Murray The Shrine of St Patrick’s Bell and the Origins of the Hiberno-Urnes Style
  15. Russell Ó Ríagáin The Viking Age in the Overkingdom of Ulaid
  16. Caitlin Ellis Um Írlandshaf: presentations of the Irish Sea in Old Norse-Icelandic
  17. Jane Kershaw and Stephen Merkel Viking Wealth in the Irish Sea Zone: new evidence from lead isotope analyses of Viking-Age rings and ingots
  18. James Graham-Campbell Wealth in the Isle of Man in the Early 10th Century
  19. Kristin Bornholdt Collins The 2021 Northern Mixed hoard (c. 1030/35), Isle of Man
  20. Johanne Porter A Saint from the East and a Hoard in the North: a reassessment of the St Edmund coins from the Cuerdale hoard
  21. Wendy Scott Copies and Crossing the Water: the implications of the unusual elements in the Lenborough Hoard for coin circulation in Anglo-Danish England.
  22. Fedir Androschchuk Viking-Age Silver Hoards in Norrland: find places, content and origin
  23. Jens Christian Moesgaard Who Controlled the Minting in Lund in the 11th Century?
  24. Orri Vésteinsson Silver and Social Change in the Viking Age
  25. Søren M. Sindbæk Ribe and the Beginning of the Viking Age
  26. Thorsten Lemm All Roads Lead to Hedeby: communication routes, local markets and mercantile interaction in the hinterland of a trading town
  27. Lene B. Frandsen Nybro: a road connection in south-west Jutland from the early Viking Age
    Christian Cooijmans A Place of Contact and Contradiction: the socially constructed space(s) of viking encampment
  28. Lesley Abrams Defining the Danelaw
  29. Elizabeth Pierce Identifying a Scandinavian Presence in Eastern Scotland in the Viking Age
  30. Mari Arentz Østmo and Marianne Moen Connecting Death: interpersonal and other affiliations in burial monuments with multiple individuals from Norway
  31. Cassidy Croci Building Bridges: visualizing the Role of Women in Sturlubók
  32. Judith Jesch Afterword

ABOUT THE EDITORS:

Clare Downham is Professor of Medieval History at the University of Liverpool. Her publications include Medieval Ireland (Cambridge University Press 2017) and Medieval Kings of Britain and Ireland: The Dynasty of Ivarr to A.D. 1014 (Liverpool University Press 2007).

Fiona Edmonds is Professor in Regional History, Lancaster University. Her publications include Gaelic Influence in the Northumbrian Kingdom: the Golden Age and the Viking Age (Boydell & Brewer 2019).

Nancy Edwards is Professor Emerita in Medieval Archaeology, Prifysgol Bangor, Bangor University. Her publications include Life in Early Medieval Wales (Oxford University Press 2023).

David Griffiths is Professor of Archaeology, University of Oxford. His publications include Vikings of the Irish Sea (History Press 2010, new edition 2025).

Pietro Lorenzetti. Detail from the Cathedral in Assisi. 1310-1329

Late Medieval Female Subject Consciousness

Autobiographical writings was the inroad to identity formation among female mystics and authors.

Late Medieval Female Subject Consciousness. Italian and English Mystics, Boccaccio, Chaucer, and Beyond
By Stephanie Amsel
Palgrave 2026 Cover Late Medieval Female Consciousness

Late Medieval Female Subject Consciousness: Italian and English Mystics brings together disparate feminist theoretical approaches to explore the formation of medieval female subject consciousness in writings by female mystics including Angela of Foligno, Catherine of Siena, and Margery Kempe, as well as secular writings of Christine de Pizan, and powerful female characters of Giovanni Boccaccio and Geoffrey Chaucer. The rise of what Amsel calls “medieval female subject consciousness” shows that increased self-awareness and sense of self relates to how the authorship of texts reconstructs traditional female roles, particularly in Italian and English. These writing women challenged prevailing norms as they forged literal and figurative spaces to self-actualize through writing, even if the act of writing was performed by male amanuenses. This book explores how Boccaccio and Chaucer serve as witnesses by creating female characters who reflect changes in women’s writing in late medieval society in Italy and England.

FEATURED PHOTO:

A miniature of the Erythrean Sibyl, writing. British Library, Royal 16 G V f. 23., CC BY-SA

TABLE OF CONTENTS:

  • Lo Specchio Spaccato
  • From Subaltern to Self-Actualization: Defining Medieval Female Subject Consciousness
  • Medieval Women’s Work: Women’s Writing as Intellectual, Productive Work
  • Writing the Body in Medieval Texts: Autobiography and Testimonio
  • Witnessing Medieval Female Subject Consciousness in Works of Giovanni Boccaccio and Geoffrey Chaucer

ABOUT THE AUTHOR:

Stephanie Amsel is professor at Southern Methodist University, Dallas, USA

Vase of St. Martin at Agaune. Source: Wikipedia

Burgundy 450-535

A new book gathers together the results of Ian Wood’s life-long immersion into the events in Burgundy AD 450-535

Burgundy, 450-535.Politics and religion in the Gibichung Province.
By Ian Wood
Series: Saggi di Storia Antica vol 38
“L’Erma” di Bretschneider 2026

Cover Burgundy 450-535This book examines the early medieval Burgundian polity, which attempted in the 5th and 6th centuries to establish itself less than a successor kingdom and more as a Roman province; and did not succeed.
In the final years of the Western Roman Empire and during the following half-century, the valleys of the Rhône and Saône were governed by members of a royal Burgundian family, the Gibichungs. They ruled not as barbarian kings but as Roman magistri militum. Their prominence derived from their association with the magister militum praesentalis Ricimer, and they operated in close cooperation with members of the late Roman senatorial aristocracy, including Sidonius Apollinaris and some of his contemporaries.
This region under their control was a centre of religious and cultural life, distinguished by the works of Sidonius, Claudianus Mamertus, Faustus of Riez, and Avitus of Vienne. The interaction of politics and religion culminated in the foundation of the monastery of Agaune, a major episcopal gathering at Épaone, and the promulgation of an important body of legislation issued by King Sigismund, before collapsing dramatically in the wake of a political crisis caused by the ruler himself. The failure of the Gibichung state in AD 534 marked the end of a remarkable experiment in governmental continuity in post-Roman Gaul.

This book is written by one of the most authoritative scholars of the Early Middle Ages, Ian Wood, Professor Emeritus at the University of Leeds. Renowned for his long-standing engagement with the cultural history and historical anthropology of the Early Middle Ages, Wood here offers a long-awaited full account of events in a region that, during the fifth and early sixth centuries, became entangled in conflicts between the Romans, the Huns, the Franks, the Visigoths, and finally the Ostrogoths. None of these powers appears to have been willing to allow this political gatekeeper to establish itself permanently at the threshold of one of the principal Alpine passes through what is now western Switzerland. Not least, perhaps, because the so-called Burgundian realm represented a genuine experiment in the fusion of Roman and Germanic cultural forms. The realm—if it was ever truly a kingdom, which this book argues it was not—came to an end when it was absorbed into the Frankish Empire in AD 534. As Ian Wood states in his introduction, this is therefore a history written “primarily through the eyes of late Roman aristocrats and those who interacted with them, and not through the perspective of the Völkerwanderung and the Germanic kingdoms”.

 

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Cover farrod BurgundesLes Burgondes: un royaume oublié au coeur de l’Europe
Favrod, Justin
Pu Polytechnique, Lausanne 2002
French Edition.

The Burgundians, the people of the Nibelungen, left the Rhine at the command of the Romans. They settled around Geneva, where their kings were charged with ensuring military control of the Alpine passes. However, between the fifth and sixth centuries, the Empire they were meant to defend collapsed. In a political movement that transformed Europe, the Burgundian kingdom expanded across parts of what are now France and French-speaking Switzerland and began to exercise independence. This is a fascinating and little-known period, in which the author, through a critical analysis of historical knowledge and a remarkable contribution of his own research, describes the coexistence in this first “Burgundy” of a people from the North and the Gallo-Romans.

Interethnic harmony was regulated by a law issued by King Gundobad. Gradually, the linguistic boundary between French and German took shape and has endured to the present day. Here the past takes on the face of a royal family whose tribulations—marked by bloodshed, wisdom or fury, success or disaster—are inscribed in the broader transition from Antiquity to the Middle Ages

 

Cover Les BurgLes Burgondes: Ier – VIe siècles apr. J.-C.
By Katalin Escher
Errance, Paris 2021
French edition

A Germanic people originating in what is now Poland, later settled on the Rhine and then in the Rhône valley of Gaul, the Burgundians inscribed their name both in the geography of Europe—where a “Burgundy” still exists today as the heir to several kingdoms—and in its great epic traditions, such as that of the Nibelungen. They were among the principal actors in the period of the Great Invasions in the West. This book takes stock of current knowledge concerning this people.

Drawing on ancient sources, it reconstructs the three major phases of Burgundian history: a kind of “preface” extending from their origins to their settlement on the Rhine (established by no later than the beginning of the fifth century); the “first” Rhine kingdom, whose destruction by the Huns in 436 inspired the Nibelungen cycle and certain Scandinavian sagas; and finally the “second” Rhône kingdom, which marked the apogee of Burgundian power before being incorporated into the Frankish kingdom in 534. For each of these periods, the archaeological remains that constitute the material traces of the Burgundian people are presented, with particular emphasis on the second kingdom. Consideration is also given to linguistic and toponymic evidence.

This study makes it possible to sketch as faithful a portrait as possible of the Burgundian people, who, at the end of their historical trajectory, became a constituent element of the French and Swiss populations. At the same time, it highlights the importance of their interactions with other major actors of Late Antiquity: the Huns, destroyers of the first kingdom; the Goths; the Alamanni; the Alans; and the late Roman world, which the second kingdom both extended and replaced. The composite culture of Burgundian Gaul in the fifth and sixth centuries, shaped by these various influences, reflects a period of intense interaction and the formation of new identities.

FEATURED PHOTO:

Vase of St. Martin at St. Maurice d’Agaune. Source: Wikipedia.The myth is, the vases was gifted to the Monastry at Agaune by St. Martin of Tours. Likely, hoever it was a gift from Sigismund while king to his new abbey. The core of the vase is from the 2. century BC, while the setting is likely to have been worked at the end of the 5th century. Thus, the vase illustrates the point made by Ian Wood that the Burgundian politi was a cultural patchwork.

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