In January 2025, a major programme of conservation and research began on the tomb of Otto the Great in Magdeburg Cathedral as serious deterioration had been discovered
‘Medieval Histories’ offers medievalists all the news about exhibitions, books, research, archaeology, travel-tips and much more from the Medieval World
In January 2025, a major programme of conservation and research began on the tomb of Otto the Great in Magdeburg Cathedral as serious deterioration had been discovered
Not only do we possess what is likely an eyewitness account from AD 973 of the death of Emperor Otto the Great, but recent studies of his remains might fit the description.
How should we understand the Runic inscription on a silveringot discovered in the spectacular hoard recently discovered at Rebild?
How did medieval rulership over multiple kingdoms and lordships work out? A new book explores the political, but also the practical, challenges of rulership in the fluid territorial reality of the 13th century, while floating a new concept: “transregnal”. What might this mean?
At the head of the Bay of Arcachon, west of Bordeaux, lies the small town of Lège, nestled within a nature reserve that still preserves something of the landscape that characterised this corner of the Atlantic coast in the Middle Ages
Are the devastating wildfires of this summer the result of the shifting climate? Of human greed and stupidity? Or simply of a decline in extensive husbandry and pastoralism?
The Medieval Mediterranean was a contested site crisscrossed by fleets and armies operating in a Maritime world. New book explores the Identities, iolence, and networks in the Mediterranean using both Latin and Arabic primary sources while focusing on the Taifa of Denia in Spain.
Regards sur la Broderie en Occident au Moyen Âge. Production, création et usages, XIIe–XVIe siècle
Eds. Philippe Lorentz, Astrid Castres, Rose-Marie Ferré
Brepols, july 2026
New book brings together the proceedings of two study days held at the Institut National d’Histoire de l’Art (INHA), Paris, in January 2020, alongside the Musée de Cluny exhibition “L’art en broderie au Moyen Âge”. The conference sought to foster dialogue among specialists from Germany, England, Spain, France, Switzerland, and the United States in order to assess current research perspectives on medieval embroidery—an art form that remains comparatively little studied in France despite its prominent place within the rich visual culture of the later Middle Ages.
The essays collected here offer fresh insights into the history of both liturgical and secular embroidery in Western Europe between the twelfth and sixteenth centuries. They are organised around three principal themes. The first examines the contexts of production, focusing on three distinct settings: the English royal court, Catalan workshops, and the workshops of Paris. The second explores the dialogue between embroidery and other artistic media during this period, particularly when embroidery functioned as ‘painting with the needle’ or when its sculptural relief rivalled that of sculpture and goldsmiths’ work. Finally, the contributions in the third section present new perspectives on the use of embroidered images and their role within medieval ritual.
More broadly, the volume invites readers to appreciate the richness of this textile heritage, now preserved in museums, church treasuries, and private collections. The book is illustrated with more than one hundred colour plates.
Medieval Embroidery in France: The Current State of Research — Astrid Castres and Philippe Lorentz
Part I. Contexts of Production
Part II. Embroidery: Painting with the Needle
Part III. Images, Rituals, and Uses
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A thousand years ago, Lisbjerg, just north of Aarhus, was home to one of the king's powerful officials, Ketil the Norman. To understand his world, we must first imagine the landscape in which he lived, travelled, and exercised his authority.

The Runic stone was discovered at the beginning of the 19th century in a dry-stone wall near the estuary of Egå, a small river north of the city of Aarhus in Eastern Jutland. Allegedly, local people said that the stone had originally stood near a bridge across the Egå. Judging by similar monuments, the runestone may have formed part of a donation to the local community, consisting of at least the monumental erection of both the bridge and the stone.
The transliteration of the Runic inscription reads:
alfkil : uk : hns : suniR : risþu : stin : þansi : ift : | : mana : sin : frinta : þans : uas : lantirþi : kitils : þis : | nuruna :
while the transcription reads:
Alfkæll ok h[a]ns syniR rēsþu stēn þannsi æft Manna, sinn frǣnda, þann’s vas landhirðiR Kætils þess norrøna.
Based on this, the official translation reads:
“Alfkell and his sons raised this stone in memory of Manni, their kinsman, who was Ketill the Norwegian’s estate steward.”

Thus, in the official translation in the database, the Old Runic word norrøna is interpreted to mean that Ketil was a Norwegian, that is, a person from Norway. However, Ketil is not described as a Norwegian; he is merely identified by the epithet norrønn (Norse). The inscription therefore does not identify him by his place of origin, which would more likely have been expressed by a form such as Noregi, as in nuruiak (Jelling Stone 2) or nuriki (Ketil Stone), both of which are understood to refer to Norway. Rather, Ketil is identified as a norrønn person. Most likely, nuruna refers to someone who spoke Old Norse rather than dansk tunga, corresponding to the explanation of norrœna, f. (3), as the Norse language. The flipped stone shown as featured photo marks the importance of the “Nuruna”-part of the inscription – as seen in the middle part. Maybe Ketil was just called his nickname?
Apart from that, we can be certain that Ketil must have been an important man. Remember that the stone, and probably also the bridge, were erected to honour his man, the steward responsible for Ketil’s estate. The word landhirðiR is also known from the stone Ravnkilde 1. Here it is plausibly indicating an estate steward. Manni may, however, have fulfilled another role, namely that of priest. The title landhirðiR is not as widely used as bruti, bryde, which apart from three Runic stones is also known from early written sources in the 11th and 12th centuries. Perhaps it is significant that the stone was carefully decorated with an early Christian cross? In addition, an early bronze cross was discovered in a grave in the burial ground excavated at Egå. The stone must have been raised around the time when Christianity was becoming more prevalent in the landscape.

Ketil means “cauldron” or “kettle”, and it has been suggested that the name referred either to the vessel containing the sacred mead or beer, indicating a man who provided feasts. Alternatively, it has been interpreted as referring to someone wearing a kettle-shaped helmet, making it a nickname denoting a warrior. Perhaps the infamous Ketil Flatnose, who for a short time ruled the Isles, derived his name from wearing a helmet with a prominent nose guard, such as that seen on the Coppergate Helmet.
Ketil was a very common name throughout the Viking diaspora. The Icelandic Landnámabók, for instance, lists approximately forty-three different individuals named Ketil, either as a simple or compound name, indicating that it was widespread throughout the North Atlantic settlements. One Ketil, as mentioned above, became ruler of the Northern Isles (Ketil Flatnose), while another settled in Greenland, giving his name to Ketilsfjǫrðr.
In Denmark, at least fifteen place names derive from Ketil, including Ketilstorp, now known as Kelstrup. In England, about eighty people named Ketil were recorded as landowners in the Domesday Book. Approximately two-thirds of these estates were located along the eastern coast between Norwich and York, and about 85 per cent are known to pre-date the Norman Conquest. The name was also not uncommon in Normandy, where at least ten place names incorporate Ketil, for example Quettehou on the Cotentin Peninsula. In short, the name was ubiquitous.
Thus, Ketil of Egå may have come from Norway, Iceland, or even Greenland, but he might equally well have originated in the British Isles or Normandy. Accordingly, we refer to him here as Ketil the Northman. The fact remains, however, that he spoke nuruna or norrœna.
We have absolutely no way of identifying the lord of the manor at Lisbjerg as identical to Ketil the Northman.
It is intriguing, though, that Lisbjerg has been archaeologically documented as

Approaches to the study of linguistic identity in the Viking Age
By Eldar Heide
Unpublished manuscript for the seminar Migration And Transcultural Identities In The Viking Age , University of Nottingham, march 3 – april 1, 2006.
Tradition and Innovation: the Function of Ambiguity in the Three Scandinavian Runic Conversion Monuments.
By Arne Kruse. In: Scandinavia Refracted: A Festschrift in Honour of Bjarne Thorup Thomsen. Ed. by Giles, Ian. Edinburgh (2022).
(3) A Concise Dictionary of Old Icelandic. By Geir T. Zoëga. Oxford University Press 1910: and ONP: Dictionary of Old Norse Prose, University of Copenhagen: norrǿna
Impressive new research sheds light on the size of the Viking fleets operating in the Atlantic and the Mediterranean between c. 750 and 1100.
German historians of the 19th and early 20th centuries claimed that Otto the Great (912–973) was responsible for consolidating Germany as a nation. Modern historians tell a more nuanced story.
Was the great antique marble slab covering Otto the Great’s tomb brought from Ravenna as imperial spolia – and chosen to evoke the world of Charlemagne?
New essay by Robert North revisits the hypothesis that Bede in AD 610 modelled his story of Cædmon on that of Muhammad
We know of Cædmon from Bede's Ecclesiastical History of England from c. 731, written at the monastery of Wearmouth-Jarrow in Northumbria. Arguably, Cædmon composed the first poem in Old English.
New copy of earliest poem in the English language discovered in Rome