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Locating Boccaccio

Scholars mark 700th birthday of medieval genius and erotic storyteller

Academics at The University of Manchester and Bristol are marking the 700th birthday of one of the medieval world’s greatest writers, credited with establishing the European storytelling traditions we know today

Locating Boccaccio in 2013
Italian Giovanni Boccaccio, author of the 1351 Decameron, a collection of 100 tales ranging from the erotic to the tragic, will be honoured through a five-month exhibition at the University’s John Rylands Library.

The exhibition is curated by Dr Guyda Armstrong and Professor Stephen Milner  from The University of Manchester and Dr Rhiannon Daniels from the University of Bristol.

Called ‘Locating Boccaccio in 2013’, the exhibition will showcase some of the world-renowned Boccaccio exhibits held by The John Rylands Library, alongside loans from other libraries and private collections.

Exhibits span the period from the fifteenth century to the digital age, from medieval manuscripts and early printed books, through private press editions and popular classics right up to the internet resource, the Decameron Web.

 As well as the historic books, it contains a collection of new artists’ books, specially commissioned for the anniversary to offer new responses to Boccaccio and his works.

Roxburghe Boccaccio in the John Rylands Library at Manchester University
The Roxburghe Boccaccio

Professor Milner says: “We are delighted to be hosting the world’s leading scholars in Boccaccio studies and showcase Manchester’s outstanding collection of Boccaccio’s works. His impact as a writer is vast, both as a founding father of the Renaissance and the revival of interest in the classical world and as an innovator in writing prose stories. His influence on figures as diverse as Chaucer and Salvador Dali reflect the scale of his literary heritage”. Dr Armstrong adds: “Boccaccio was a great humanist, and unlike Dante and other writers of the time, one of the first people to give women a voice. He’s often described as the writer of “dirty stories”, but he’s so much more than that because we can credit him with establishing the great European traditions of storytelling.”

The star of the show is the “Roxburghe Decameron”, purchased by Mrs Rylands in 1892 from the Earl Spencer, and is the founding volume of the world’s most exclusive book club – The Roxburghe Club. The Roxburghe Club, which boasts just forty members at any one time, was founded in 1812 after the auction of the 1471 printed edition of Boccaccio’s Decameron for a then world record price of £2,260 after a dramatic bidding war.

The same team are also hosting 60 Boccaccio scholars from around the world at a conference at Manchester Town Hall on 10-12 July. The programme can be accessed here

Boccaccio and Artists’ Books
Boccaccio continues to be read across the world and to evoke responses seven hundred years after his birth. In order to commemorate Boccaccio’s anniversary year in 2013 and explore the ways in which his works speak to new audiences, the curator and organisers also invited an international group of artists to create new books about Boccaccio. The parameters of the project were left deliberately open and artists were invited to make a book in response to Boccaccio himself or to any of his texts.

Thirteen artists’ books were created and are on display in the exhibition. The artists’ books will move on 26 November to the Special Collections Library, Ashton Bower at the University of the West of England, where they will be displayed from 2 December 2013 to the end of January 2014.

This part of the exhibition is designed to reflect the – still popular – reception of Boccaccio as an author of erotic and light-hearted stories, but also aims to inform new audiences about the breadth and depth of his achievements as a literary innovator, humanist, and linguistic model. Boccaccio wrote a wide range of texts in both Italian and Latin, prose and poetry, and was responsible for many literary ‘firsts’, such as the development of ‘octave rhyme’ (ottava rima), the first epic poem in Italian, and the first psychological novel. His prose writing in the Decameron became the basis for the standard Italian language used today.

The following virtual exhibition presents a series of images from each of the thirteen artists’ books. Click on the artists’ names below in order to see pages not on display within the Rylands Library:

Many of these books are for sale at the John Rylands library.

 

SOURCE:

The University of Manchester

The exhibition runs from 11.07.2013 – 20.12.2013, with free entry.

READ MORE:

Read more about the world-wide events in connection with the Boccaccio anniversary and find the links here

 

The Tudor Pearl

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The Tudor Pearl in the Portrait of Mary Tudor by Antonio Mor

Between 1526 and 1539 an outstanding pearl entered the jewellery collection of the Empress Isabella of Portugal (1503-1539). Either it was a diplomatic gift or the Empress purchased it. When she died in 1539 the pearl was inherited by her daughter, Juana of Austria (1535-1573). Following a short marriage to Prince John of Portugal (1537 – 1554), Juana returned to Spain to assume regency for her brother, Philip II. Thus the pearl became part of Philip’s dowry for his new bride, Mary Tudor (1516-1558), after whom the pearl has been christened.

It is an outstanding asymmetrical drop-shaped pearl that was much admired by the Tudor courts and is featured in at least three Royal portraits of Mary Tudor, namely one by Anthonis Mor currently at the Prado, one by Hans Eworth in the National Portrait Gallery and a third owned by owned by the Society of Antiquaries.

Since the pearl’s disappearance in the late 16th century the pearls depicted in these portraits have  – it is claimed now – mistakenly been identified as La Peregrina, a different pearl which is 53.57 grains smaller than the Mary Tudor pearl. However, Mary Tudor could never have worn the Peregrina as it was first recorded in 1579, 21 years after her death. However, in 2004 – what is presumed to be the real Tudor Pearl -surfaced at an auction and was bought by the select Jewellers Symbolic & Chase . This year it will be exhibited at the Antiques fair, Masterpiece London. The fair will take place from 27 June – 3 July 2012 (with a Preview on Wednesday 26 June) in the South Grounds of The Royal Hospital Chelsea, London SW3. The exhibition of the pearl is accompanied by a certificate from the Swiss Gemmological Institute stating that the pear weighs 64.5 carats (258.12 grains) and measures 16.50 -17.80 x 31.95 mm and is of natural saltwater origin. The Mary Tudor Pearl is the third largest well-formed pearl documented today.

Mary-tudor-mould-jewel
Jewel in the portrait of Mary Tudor presented by Philip Mould

Following its debut at Masterpiece London, the Tudor Pearl will be exhibited at the V&A as part of the Pearls exhibition, which will run from 21st September 2013 to 19th January 2014.

queen-margaret-austria-pearl
Queen Margaret of Austria wearing the large pearl 1605

Continuing with the Queen Mary I theme, Philip Mould  will be exhibiting a recently discovered English School portrait of Queen Mary I  at the Fair. In the presentation of the portrait at his website it says that the new portrait is taken from the “larger portrait by Antonis Mor” in Prado. Curiously enough, however, Mary Tudor in the new portrait is not showing off her pearl but another magnificent jewel with three pearls hanging on her neck.

Provenance
Whether or not the “new” pearl is in fact the one presented to Queen Mary or whether – as is generally believed – it was the peregrina awaits to be seen. For one thing, Symbolic and Chase has not so-far published anything about the provenance apart from the tidbit, that it surfaced on an auction in 2004. As opposed to this the provenance of the Peregrina is well documented. After the death of Mary Tudor the pearl reverted to Spain and became part of the Spanish Crown Jewels, as is documented by a number of later paintings of Spanish Queens. Later, when Napoleons brother left Spain in 1813 he brought the peregrina with him. His nephew, the later emperor Napoleon III, sold it during his English exile to the Hamiltons, who put it up for sale at Sotheby’s in 1969, where Richard Burton bought it for Liz Taylor.