The False Prophet Directs the Worship of the Beast, “Burckhardt-Wildt Apocalypse,” France, Metz, 1290s, illuminated possibly for Eleanor Plantagenet, The Morgan Library & Museum, MS M.1071.2v, gift of Mr. and Mrs. H. P. Kraus, 1985.
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The Art of Medieval Time

This spring, the Morgan Library and Museum exhibitis some of its more treasured medieval manuscripts exploring the ways in which people told and experienced medieval time

Hell, “Hours of Catherine of Cleves,” The Netherlands, Utrecht, ca. 1440, illuminated for Catherine of Cleves © Morgan Library and Museum
Hell, “Hours of Catherine of Cleves,” The Netherlands, Utrecht, ca. 1440, illuminated for Catherine of Cleves, duchess of Guelders, by the Master of Catherine of Cleves, The Morgan Library & Museum, MS M.917/945, III, fol. 168v. Purchased on the Belle da Costa Greene Fund and through the generosity of the Fellows, 1963 and 1970.

What time is it? The question seems simple, and with a watch on your wrist or a cell phone in your hand, the answer is easy. In the Middle Ages, however, the concept of time could be approached in many different ways, with vastly different tools.

Drawing upon the rich holdings of the Morgan’s collection of medieval and Renaissance illuminated manuscripts, Now and Forever explores how people told time in the Middle Ages and what they thought about it. The manuscripts range in date from the eleventh to the sixteenth centuries and come from all the major countries of Europe.

The exhibition begins with the quirks of the medieval calendar, exploring sacred feasts, the mysteries of Golden Numbers, the utility of Dominical Letters, and how the Middle Ages inherited the Roman Calendar of Julius Caesar. Visitors will engage with the complexities of time as defined by liturgical celebrations and their two overlapping systems of temporale (feasts of time) and sanctorale (feasts of saints), systems that still influence the way we tell time today. Now and Forever also explores how time beyond the grave preoccupied medieval people for whom life on earth was a mere dress rehearsal for the main event—the afterlife.

The exhibition is accompanied by a beautiful catalogue written by Roger S. Wieck, Curator at the Morgan, and published by The Morgan Library & Museum in association with Scala Arts Publishers.

Now and Forever: The Art of Medieval Time is made possible with generous support from Barbro and Bernard Osher, The Janine Luke and Melvin R. Seiden Fund for Exhibitions and Publications, and the Andrew W. Mellon Research and Publications Fund.

VISIT:

Now and Forever: The Art of Medieval Time
The Morgan Library and Museum
225 Madison Avenue at 36th Street, New York, NY 10016
26.01.2018 – 29.04.2018

FEATURED PHOTO:

The False Prophet Directs the Worship of the Beast, “Burckhardt-Wildt Apocalypse,” France, Metz, 1290s, illuminated possibly for Eleanor Plantagenet, The Morgan Library & Museum, MS M.1071.2v, gift of Mr. and Mrs. H. P. Kraus, 1985.

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