Roman Sirmium is located beneath modern day Sremska Mitrovica on the River Sava. Once a major Roman city, it was destroyed by the Avars
Roman Sirmium is located beneath modern day Sremska Mitrovica on the River Sava. Once a major Roman city, it was destroyed by the Avars
Godrich of Finchale (1070-1170) was a popular saint in the county of Durham, where he ended his days as a hermit. A new edition of his life was recently published.
Medieval Music, Legend, and the Cult of St Martin: The Local Foundations of a Universal Saint
By Yossi Maurey
Cambridge University Press, 2. okt. 2014
St. Martin of Tours was a protector saint of numerous French kings. His was one of the most successful saintly cults in medieval Europe, and the city of Tours functioned as a religious metropolis, drawing pilgrims from all over the continent. Until now, little has been known about how St Martin came to inspire such a lively folkloric tradition, numerous works of art, and the establishment of thousands of churches and numerous confraternities. In this book, Yossi Maurey addresses these questions by focusing on the church dedicated to the saint in Tours, which acted as the crucible for Martin’s cult. Maurey explores the music and liturgy of the cult – the most effective means of its dissemination – to reveal its enormous diffusion and impact. Building a more concrete picture of how saints’ cults operated and shaped medieval realities, this book also provides new insights into the interactions between contemporary religion, art and politics.
Communities of Saint Martin: Legend and Ritual in Medieval Tours
By Sharon Farmer
Cornell University Press 2019 (1991)
Sharon Farmer here investigates the ways in which three medieval communities—the town of Tours, the basilica of Saint-Martin there, and the abbey of Marmoutier nearby—all defined themselves through the cult of Saint Martin. She demonstrates how in the early Middle Ages the bishops of Tours used the cult of Martin, their fourthcentury predecessor, to shape an idealized image of Tours as Martin’s town. As the heirs to Martin’s see, the bishops projected themselves as the rightful leaders of the community. However, in the late eleventh century, she shows, the canons of Saint-Martin (where the saint’s relics resided) and the monks of Marmoutier (which Martin had founded) took control of the cult and produced new legends and rituals to strengthen their corporate interests. Since the basilica and the abbey differed in their spiritualities, structures, and external ties, the canons and monks elaborated and manipulated Martin’s cult in quite different ways. Farmer shows how one saint’s cult lent itself to these varying uses, and analyzes the strikingly dissimilar Martins that emerged. Her skillful inquiry into the relationship between group identity and cultural expression illuminates the degree to which culture is contested territory. Farmer’s rich blend of social history and hagiography will appeal to a wide range of medievalists, cultural anthropologists, religious historians, and urban historians.
Tours 1500. Capitale des Arts
de Béatrice de Chancel-Bardelot, Pascale Charron, Pierre-Gilles Girault and Jean-Marie Guillouët
Somogy 2012
As a place of royal residence under Louis XI, Charles VIII and Louis XII, Tours had nevertheless never been a truly important political capital. However during the forty years, from 1480 to 1520, Tours was imagined as the new capital of France. Home to Jean Fouquet and a beloved royal palace it became an artistic hotspot. Breathtaking manuscripts, rare painted panels, tapestries, sculptures, and numerous works by Michel Colombe, Guillaume Regnault, Jean Poyer, Jean Bourdichon, and anonymous masters, Tours became an exceptional crucible for the early Renaissance artists. The book is a catalogue presenting numerous works of art including the splendid miniatures of the Hours of Louis XII, here presented for the first time to the French public. The exhibtion and the book restores the importance of Tours at the time of the pre-Renaissance France..
The Old English Lives of St Martin of Tours
Edition and Study
By Mertens, Andre
Universitätsverlag Göttingen 2017
Open Source
St Martin of Tours is one of Christianity’s major saints and his significance reaches far beyond the powerful radiance of his iconic act of charity. While the saint and his cult have been researched comprehensively in Germany and France, his cult in the British Isles proves to be fairly unexplored. Andre Mertens closes this gap for Anglo-Saxon England by editing all the age’s surviving texts on the saint, including a commentary and translations. Moreover, Mertens looks beyond the horizon of the surviving body of literary relics and dedicates an introductory study to an analysis of the saint’s cult in Anglo-Saxon England and his significance for Anglo-Saxon cultur
Soldiers of Christ: Saints and Saints’ Lives from Late Antiquity and the Early Middle Ages
By Thomas F. X. Noble and Thomas Head
The Pennsylvania State University Press 1995
Soldiers of Christ brings together for the first time in one volume eleven critical writings about the saints from Late Antiquity and the Early Middle Ages.To understand European culture and society in the Middle Ages it is essential to understand the role of Christianity. And there is no better way to understand that role than to study that religion’s greatest human heroes, the saints. For if Christians regarded God as their king, then the saints were the Christian nobility, human members of the divine court. To use one much-repeated phrase, they served as “soldiers of Christ.” The purpose of this volume is topresent in English translation some of the most significant records of the lives of those people considered to be saints. In exploring these works the reader will be presented with rich evidence about the development of religion and society in western Europe from the late Roman empire to the great changes that transformed European society around the year 1000.Each text is newly annotated and prefaced by the editors, and a general introduction on saints and saints’ lives makes the volume ideal for students and general readers. Included are lives of Martin of Tours, Augustine of Hippo, Germanus of Auxerre, Boniface of Crediton, Sturm, Willibrord, Benedict of Aniane, Leoba, Willehad of Northumbria, and Gerald of Aurillac, as well as the Hodoeporicon of Saint Willibald.
The St. Martin Embroideries: A Fifteenth-century Series Illustrating the Life and Legend of St. Martin of Tours
By Margaret B. Freeman
Metropolotan Museum of Art
In the Middle Ages pictorial embroidery was considered one of the fine arts, and those who made pictures with needle and thread were often as highly skilled and highly valued as those who made pictures with brush and pigment. Franco-Flemish and Flemish pictorial embroideries of the first half of the fifteenth century are rare today, and a series as extensive and fascinating as the one analyzed here can hardly be equaled. The thirty-seven individual works have been known to scholars and connoisseurs for eighty years or so, and during this time speculation has accumulated as to their origin, purpose, and iconography. The present study resolves at least part of the mystery.
These embroideries celebrate the life and achievements of one of Christendom’s most beloved saints. Admired for his heroism in successful confrontations with emperors, devils, brigands, and pagans, St. Martin, bishop of Tours, is remembered also for his power over nature and his restoration of the dead to life. In this most readable treatise each subject is integrated in the storytelling scheme, the styles of the several artists who made the designs are differentiated, the particular embroidery techniques are discussed, the name of the Burgundian nobleman who may have commissioned the set is sifted out of the historical and artistic evidence, and what is known of the embroideries’ recent history is reported. The discussion is such that it greatly enlarges one’s own knowledge not only of Medieval French, Franco-Flemish, and Flemish embroidery but of painting and manuscript illumination in these regions.
St. Martin was a Roman soldier, who turned into a Christian ascetic. Later he was adopted as a national saint for France, as well as a soldier of Christ. His final disguise, though, was as a popular saint
The “Martin” of the 7th to 10th centuries was not the ascetic bishop of the 5th century. The leopard changed its spots and became a National Frankish saint and a budding Christian Knight
In the 6thcentury, Martin of Tours was recruited to bolster the fame and position of his successors as a prestigious miracle-worker

Born at Sabari in Pannonia, now Szombathely, in Hungary, St Martin was brought up in Italy. He chose Christianity at the age of ten and began his career as a cathecumen. Nevertheless, at the age of fifteen, he was forced into the Roman Army of Julian the Apostate (361 – 363), the last pagan emperor of Rome. It is while serving in Gaul, we meet up with him when he during a cold night encountered a poor and freezing beggar. Resolutely, he slashed his cloak in two, sharing one half with the poor man. That night, he had a vision of Jesus wrapped in the torn cloak. This led to his baptism. Somewhat later, he sought to extricate himself from military service at a time when his fellowmen were preparing for battle. This led to a charge of cowardice. In response, he promised to stand in front of the battle line, only armed with the sign of a cross. As the enemy surrendered, this brave feat was never carried out. Instead, he was allowed to leave military service.
Later, he settled at Poitiers under the supervision of bishop Hilary, the so-called “Hammer of the Arians” (210 – 367). From there, he started out as a missionary to Pannonia and Illyricum, facing the Arians. Further, he went to Milan, and later the island of Gallinari, off Albinga, seeking the life of a hermit. In 360, however, he once more joined Hilary at Poitiers, from where he went on to found the first monastery at Ligugé, taking over a deserted Roman Villa, donated by Hilary. Here St Martin of Tours lived together with his disciples as the desert fathers of Egypt, each in their own small hut (locaciacum).
In 371, he was called as bishop of Tours. It is from a much later retelling of these events, the vignette heralds Martin taking refuge among the geese; which of course cackled revealing the reticent saint, who had to yield to the demands of the faithful. Sulpicius only tells us the election was controversial. While the people were keen to elect him, the other bishops had reservations based on his ascetic lifestyle, which they deemed unfit for someone in charge of a bishopric. Probably, due to his asceticism, he was also believed to have heretic (Priscillianist) leanings.
As the bishop at Tours, Martin later built the huge monastic complex of Marmutiers on the north bank of the Loire. Soon, the Abbey attracted numerous disciples from elite milieus in and out of Gaul, together with whom he continued his active missionary work. During his lifetime, he also became known for his miracles. His fame, though, was said to rest on his humility, his asceticism, and his lack of duplicity. Eventually, this led to his status as one of the first saint, who had not been martyred.
After the death of St Martin, Sulpicius amended this life by adding a postscript in the form of three letters, to Eusebius, Aurelius, and Bassula. These letters expand upon the miracles ascribed to St Martin and present him as an exemplary saint. Finally, they record his death at Candes, where he admonished his disciples to be less greedy than the birds catching fish along the river. Later in the 12th century, the legend was spread that flowers and birds paid this gesture back, heralding his dead body when it was sailed back on a barge towards Tours. Although the month was November, the birds and flowers made it feel like a “ St Martin Summer” (also called Halloween Summer).
Recently Pope Francis canonized Blessed Angela of Foligno, a Franciscan mystic from the 13th century – but why?...