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The Medieval Court of a Welsh Prince

The Medieval Court of Llys Rhosyr to be rebuilt at St. Fagans

Reconstruction of the medieval court of the princes of Gwynedd, excavated a decade ago, has begun at St. Fagans, the National Museum in Wales.

In 1992 the archaeologist Neil Johnstone discovered the remains of Llys Rhosyr, one of the royal courts of llywelin Fawr, prince of Gwynedd in the 13th century. It was located in the South West of isle of Anglesey near Newborough on the way to Llanddwyn island.Llys Rhosyr from the air

The Llys Rhosur was one of the royal courts, through which the princes ruled when in residence. These ‘Llys’ were placed at regular interval in the Welsh Kingdom, each covering an administrative region, called a ‘commotes’. Llys Rhosyr was at the heart of the ‘Menai Commote’.

After king Edward I’s conquest in 1282, Rhosyr was largely abandoned. Perhaps stones and timber was removed from the dismantled court and used in his large castles. Later in 1332 the area became covered by sand-dunes, where it lay undisturbed until it was discovered in 1992.

The site has since then been partially excavated, revealing the remains of the main hall and a building believed to have housed the private apartment of the prince. The site has also yielded a number of finds like coins, pottery and other small artefacts. Much of this is exhibited at the local museum in the Prichard-Jones Institue in the nearby village.

reconstruction of llys Rhosyr at st fagansThe royal court occupied 1.3 acres, while the royal demesne is believed to have extended over the 600 acres, on which the new town of Newborough was established after the conquest. The prince’s tenants worked the land, while other peasants were responsible for the repair and maintenance of the royal buildings: the fence, the hall, the chapel and the lord’s privy and stable. These and other buildings (kilns, barns etc.) were outlined in the Welsh laws as the responsibility of the local peasants to keep and repair. Fair and markets were of course part of the regular on-goings at the Llysoedd

Although more than ¾ of the site is still waiting to be excavated it has recently been decided to spend funding on a reconstruction in the National Museum of Wales.

Reconstruction at St. Fagans

Llys Rhosyr © Menter Môn
Llys Rhosyr Photo: © Menter Môn

The complete court cannot be replicated without damage to the adjoining woodland so it is proposed that the main hall and adjacent chamber with only part of the surrounding wall should be constructed. These comprise replicas in rubble walling bonded with clay beneath thatched roofs. The hall will have a footprint 11m x 17m and the chamber 7.5m x 13m. With 9 meters high stone walls and a thatched timber roof, the building of the court will provide apprenticeships and trainee placements within the Historic Buildings Unit.

After the reconstruction the plan is to use the buildings for overnight stays so children may improve their understanding of medieval life.

The project feeds into the overall plan of Cadw (the Welsh Government’s historic environment service to focus on the Princes of Gwynedd and the places associated with that medieval dynasty as part of a development of the “ Wales Heritage project”.

SOURCES:

 Llys Rhosy and Bryn Eryr

Application Plan for development of St. Fagans

Interpretation Plan for the Princes of Gwynedd for Cadw May 2010

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Friends of Llys Rhosyr

Cae llys, Rhosyr: A Court of the Princes of Gwynedd
By Neil Johnstone
In: Studia Celtica 2000, Vol. 33, pp. 251 – 295

A Brief Report on Pen y Bryn and Aber Llys and castles of Gwynedd
By Paul Martin Remfry
Castle Studies Research and Publishing 2012

political power in medieval Gwynedd coverPolitical Power in Medieval Gwynedd. Governance and the Welsh Princes
By David Stephenson
Series: Studies in Welsh History
2014, 2. edition (1984)
ISBN-10: 1783160047
ISBN-13: 978-1783160044

 

 

 Llywelely ap Gruffud CoverLlywelyn ap Gruffudd: Prince of Wales
By Beverley Smith
University of Wales Press; 2014 New edition (2001)
ISBN-10: 1783160063
ISBN-13: 978-1783160068

 

 

 

Painted ceiling from Capestang

Medieval Painted Ceilings in Southern France

Painted ceilings became all the fashion in the later Middle Ages in Le Midi reaching from Catalonia to Northern Italy

In the later Middle Ages in Le Midi it became fashionable to lower the ceilings of the great halls in palaces by installing wooden ceilings constructed with wooden beams. Usually these beams were painted in glorious colours. Often the top of the wall was at the same time painted with a frieze – as in Palazzo Davanzati in Florence – or painted wooden boards were installed as part of the decoration, as in the Stag Room in the Papal Palace in Avignon – .

However, these examples represent no more than a gentle sounding board for the real treasures still found in public and private medieval houses in Le Midi (and further North). For more than a decade a group of dedicated art historians, archaeologists, architects and conservators /have worked to uncover and present this iconographic heritage, which gives an extremely important glimpse into the daily life of merchants, prelates and craftsmen from the 14th and especially 15th century.

Doves living behind a boards of a painted ceiling

One challenge here is that the ceilings are to be found in private homes. Many are not even known to the owners themselves as the painted celings still live a hidden life behind the white or stuccoed ceilings installed when that became fashionable. A third challenge is that French Law does not protect any old medieval house nor these precious pieces of art. Owners have been known to simply pry the painted boards from the ceilings and sell them on Ebay. Accordingly much work remains to be done, as is shown be a preliminary overview, which was published in 2011. Here 28 locations are presented in detail accompanied by sumptuous photos. The generosity of the group of academics should be complimented!

One of the places, where the public may fully enjoy the vibrant colours and funny vignettes is in the archiepiscopal palace in Capastang near Narbonne. Another place is the small village, Lagrasse, where the group has its organisational headquarters and where an exhibition recently opened in the ancient presbytery, telling the story of the painted ceilings. A third place is the La Maison des Chevaliers de Pont-Saint-Esprit in Nimes, where it is also possible to get a feeling for the late-medieval elite contexts of these painted treasures.

At the same time a new video has been released by the CNRS in Paris, which tells the story in detail about some recently uncovered wooden paintings in Lagrasse and elsewhere.

READ MORE:

Cover of plafonds prints medieval paired ceilingsThe main introduction to the “Plafonds peints médiévaux” – the medieval painted ceilings – can be found in a publication from 2011, which may be downloaded from the website of RCPPM or requested by post from DRAC du Languedoc-Roussillon (5 rue de la Salle L’évêque, Montpellier) or from “RCPPM: plafondspeints@sfr.fr (Post will be charged):

Images oubliées du Moyen Age. Les plafonds peints du Languedoc-Roussillon
Montpellier, DRAC, 2011

Another publication of interest may also be downloaded from the website:

Plafonds peints médiévaux en Languedoc, Actes du colloques de Capestang, Narbonne, Lagrasse, 21-23 février 2008
Études réunies par Monique Bourin et Philippe Bernardi.
Presses Universitaires de Perpignan, Perpignan, 2009, 249 p, 110 illustrations.

WEBSITE:

Association international de Recherche sur le Charpentes et les Plafonds Peints Médiévaux

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Les Maisons Aux Images. Un film de Claude Delhaye, produit par CNRS 2014

VISIT:

Medieval Painted Ceiling La Maison des Chevaliers de Pont-Saint-Esprit

Medieval Painted Ceilings in Lagrasse

Medieval Painted Ceilings in Capestang

The Shrewsbury Book from Rouen, 1444–45 British Library, Royal 15 E. vi, ff. 2v

Royal Manuscripts

Royal Manuscripts: The Genius of Illumination was the title of an exhibition hosted at the British Library in 2011. Now selected papers have been published

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Saint-Maurice d'Agaune - view from the roof of the basilica

History of Saint-Maurice d’Agaune

The Abbey of Saint-Maurice d’Agaune is one of the oldest monasteries in Western Europe. It was founded around 380 AD

Around 300 a rebellion broken out in what is currently the Western part of Switzerland. As the story goes, a legion of Roman soldiers from Egypt was transferred to the region in order to crush the revolt. On the night before battle the emperor Maximian issued the usual order that the whole army should offer to the Roman Gods. The challenge was that the soldiers in the so-called Theban legion were Christians. After repeatedly having refused to comply with the command, the emperor ordered a decimation. Following this every 10th man was put to death; at the same time an additional decimation was declared to take place if the soldiers, who were still alive, did not give in. In the end it is claimed that 6600 soldiers in the Theban legion refused to take part in the sacrificial rites and were martyred. This is primarily said to have taken place at Aquanum at an old toll-station on the upper Rhone, where the river meanders through a narrow gorge. Whether a legend or not, the story very early on caught the imagination of the men of the Late Antiquity. One of these was Eucherius, who visited the site in the first part of the 5th century and wrote about it a letter. Here he told the story in detail of how a bishop, Theodore of Octodurum, had a vision of where to find the remains of the martyred soldiers.

Saint-Maurice in Magdeburg
Saint-Maurice in Magdeburg. The Theban legions was venerated all over Europe

There are many reasons to believe that the legend about the Theban legion and its martyrdom was invented by this Theodore around 380’s, when there was a frenzy to discover saints and martyrs galore, while at the same time a pagan resurgence in the Roman army was taking place (around 390 AD). Nonetheless, whatever the facts and fiction, the story quickly caught the imagination of locals as well as bishops, and very soon a thriving centre for pilgrimage was erected on top of an earlier Roman sanctuary dedicated to Celtic water nymphs. When Eucherius visited the site, he noted that the earliest basilica, where the martyrs were buried, was already endowed with silver, gold and precious art and famous for its miracles. Probably the first sanctuary was cared for by a double institution, both male and female. In the earliest writing s we get an impression of a somewhat boisterous place: at the same time both local sanctuary, post-station for travellers and pilgrims and toll-station for merchants moving between Gaul, Germany and Italy. In the beginning of the 6th century – Saint-Maurice d’Agaune came to play a slightly different role as it was reformed by the Burgundian king, Sigismund († 524). His father was an Arian; however as a student of Avitus of Vienne he converted to Catholicism. Together the two men, king and bishop, turned the place into a highly evocative and symbolic site. Architecturally they rebuilt the basilica and reorganised the site by adding a series of other buildings to it. Further a new liturgy – Laus Perennis – was introduced to fill the place with eternal song. Later, after Sigismund and his family had been murdered, his remains were translated to the church, where he became venerated as the first royal saint in Western Europe. This contributed to cement the site as a both a royal and religious centre. In due course it came to present a format for other large monasteries, e.g. St. Denis in Paris. Later in the 9th century, after a group of Augustinian Canons had taken over from the monks, the place was once more imbued with a certain aura, when the second Burgundian Kingdom was established. Since then it has continuously functioned as both a local religious centre and a powerful political place, caring for the myth of soldiers, who did not desert, but instead believed it possible to be at the same time “in and out of this world”; as famously memorialised by Saint-Maurice in the speech, rendered by Eucherius:

“Emperor, we are your soldiers but also the soldiers of the true God. We owe you military service and obedience, but we cannot renounce Him who is our Creator and Master, and also yours even though you reject Him. In all things, which are not against His law, we most willingly obey you, as we have done hitherto. We readily oppose your enemies whoever they are, but we cannot stain our hands with the blood of innocent people (Christians). We have taken an oath to God before we took one to you, you cannot place any confidence in our second oath if we violate the other (the first). You commanded us to execute Christians, behold we are such. We confess God the Father the creator of all things and His Son Jesus Christ, God. We have seen our comrades slain with the sword, we do not weep for them but rather rejoice at their honour. Neither this, nor any other provocation has tempted us to revolt. Behold, we have arms in our hands, but we do not resist, because we would rather die innocent than live by any sin.”

Today the abbey is home to 53 regulated canons, who work amongst the local people as well as in the local college. Apart from this, the canons cater for the many pilgrims, which still visit the evocative place. The abbey has also been declared World Heritage. Another function is thus to cater for the many cultural tourists, who come to see the famous treasury and the archaeological site.

READ MORE:

The 1500-year anniversary 2014-15
Archaeology at Saint-Maurice d’Agaune
The Treasury at Saint-Maurice d’Agaune

The textiles at Saint-Maurice d’Agaune

Cap from Candidus reliquary © St. Maurice d'Agaune

Textiles from Saint-Maurice d’Agaune

During the 20th century a number of small bits and pieces of ancient textiles were found wrapping the precious relics at Saint-Maurice d’Agaune

The original colored photo of the nereid textile
The original colored photo of the nereid textile

Already in the beginning of the 20th century a German professor by the name of Stückelberg took the opportunity to register and photograph a series a relic-wrappings from the churches and abbeys in the Valais. Many of these tiny pieces belong to the early middle ages and stem from China, via Persia and Egypt to Western Europe. Many of these tiny pieces appeared to belong to the same textiles. Fragments seemed to have been cut off and used in different locations.

One such famous piece is of course the “Nereid Textile” from Sion (Sitten), one of the few fabrics from classical antiquity. It was probably found during an opening of the reliquary of St. Maurice in 1225 and after that dispersed through the valley. Studying all the fragments, Stückelberg found that the sudarium had been bordered on top by a pattern of eagles, while the bottom paraded falcons. He dated the piece to the 4th century and concluded that it might in fact have been the earliest wrapping for Saint Maurice (or what was believed to be his earthly remains, found by Theodulus).

Textile from Late Antiquity with dancing people and lions
Textile from Late Antiquity with dancing people and lions

Another silk-piece found at St. Maurice in 1923 seems to be a bit later – from the 6th century. It sports a rapport of lions, vine and chalices.

Too other fragments from Egypt from the 7th to 8th centuries show rapports of dancing figures in medallions alternating with dancing lions or cows. Colours white on blue or red on yellow. These were all found in the Ewer in 1923.

More, however, were to come. As late as in 1961, a whole new cache of fragments were found when the head of St. Candidus was opened. This costly head-shaped reliquary was made in the 12th century. During restoration work the head was found to contain not only parts of the presumed skull but also a blue silk cap and dozens of small tied-up packages of relics wrapped in fabrics with little parchment notes attached.

Some of these textiles belong to the period, when Saint-Maurice d’Augune was founded (515).

Currently this cache of textiles is exhibited at the Abegg-Stiftung at The Villa Abegg in Switzerland together with other rich collections from Hildesheim and the Guelph Treasure. It may be viewed by contacting the Institution.

Unfortunately the full collection of textiles has never been published.

SEE MORE:

Veil and Adornment
Medieval Textiles and the Cult of Relics.
Villa Abegg
27.04.2014 – 09.11.2014

READ MORE:

Unveröffentlichte Walliser Gewebefunde
By E. A. Stückelberg
In: Anzeiger für schweizerische Altertumskunde: Neue Folge, 1926, Vol. 26, no. 2 – 3, pp. 95 ff. (with 20 coloured photos)

Early Textiles in the Canton Valais
A. F. Kendrick
The Burlington Magazine for Connoisseurs, 1924, Vol. 45, No. 258, pp. 125-127+130-131

Textilien des Mittelmeerraumes aus spätantiker bis frühislamischer Zeit
By Sabine Schrenk and Regina Knaller (Textile Analysis)
In: Textilsammlung der Abegg-Stiftung Volume 4
With English Translation of the Introducing Texts
ISBN 3-905014-24-6